Then a discussion followed about how each writer creates a complicated and compelling persona/narrator on the page. It is important to remember that we will never be able to represent our full selves on the page. Melissa put it this way: (and my, how helpful these words were) pluck out a single thread within the work and consider the version of yourself defined by a single thread of pursuit – Ask yourself: what am I chasing? And are the scenes revealing this chase? Once a single thread is identified, search for what to leave out and the surprising news is that we might need to leave out almost everything.
Regarding audience and writing about people in our lives, it was suggested that a consistent voice was one of the most important ways to engage them. For Melissa, she thinks of one person she might be writing for, and often, this person is a younger version of herself, offering something that might have provided resonance and meaning to that younger person. For Elissa, she tries to implicate herself more than anyone else. She stated that, “The narrator’s culpability makes for more interesting reading.”
This makes me remember a thought from the writer/priest Frederick Buchener – he says that the phrase, “Love thy neighbor as thyself” needs to be flipped – to love thyself as thy neighbor because we often treat others in our lives with more compassion than we do ourselves – and to show compassion to all the various selves we’ve been along the way – and if those selves are unseemly, all the more call to show compassion.