This blog post is a summary of a panel I attended last January for my MFA in nonfiction from the Institute of American Indian Arts. This presentation dove into the subject of writing about one’s own life for both fiction and nonfiction. The audience was deeply encouraged to put the concern of how people will receive and respond to the work aside during the first draft. If we worry about the material when it will be out in the larger world, we are not giving the story its best chance. Melissa Febos emphasized we need to not censor our work in the process of creating it. For her, she works to find her biggest, most uncomfortable questions and then tries to write her way to those answers. We’ll have time later to consider what should stay in and what should come out. Melissa added that, “Chases out the things I have been hiding from in my mind.” Elissa Washuta opened with this great nugget: in the two different process of writing and publication, we will change the work greatly and there is enough time for us to consider what should stay in the work and what should not.
Then a discussion followed about how each writer creates a complicated and compelling persona/narrator on the page. It is important to remember that we will never be able to represent our full selves on the page. Melissa put it this way: (and my, how helpful these words were) pluck out a single thread within the work and consider the version of yourself defined by a single thread of pursuit – Ask yourself: what am I chasing? And are the scenes revealing this chase? Once a single thread is identified, search for what to leave out and the surprising news is that we might need to leave out almost everything.
Regarding audience and writing about people in our lives, it was suggested that a consistent voice was one of the most important ways to engage them. For Melissa, she thinks of one person she might be writing for, and often, this person is a younger version of herself, offering something that might have provided resonance and meaning to that younger person. For Elissa, she tries to implicate herself more than anyone else. She stated that, “The narrator’s culpability makes for more interesting reading.”
This makes me remember a thought from the writer/priest Frederick Buchener – he says that the phrase, “Love thy neighbor as thyself” needs to be flipped – to love thyself as thy neighbor because we often treat others in our lives with more compassion than we do ourselves – and to show compassion to all the various selves we’ve been along the way – and if those selves are unseemly, all the more call to show compassion.